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2008

Blue Cross-Blue Shield Building, Griffin, David V. , Preservation: the magazine of the National Trust for Historic Preservation, May-June, Volume 60, Issue 3, p.67, (2008) Abstract

At the Convention, Bernstein, Fred A. , Architect, Volume 97, Issue 4, p.55, (2008) Abstract

2007

Should they stay or should they go? A tale of two buildings, Beam, Alex , Boston Globe, October 24, p.1-2, (2007) Abstract

Clean Slate: The debate over what to do about Boston's City Hall is missing the point: its not about a building, its about reimaging the heart of the city, its connections to the past, and its possibilities for the future, Thrush, George , Boston Globe, May 13, p.1, 4, (2007) Abstract

Form, function, future: Getting past problems with the recent past, Young, Dwight , Preservation: the magazine of the National Trust for Historic Preservation, May, Volume 59, Issue 3, p.88, (2007)

Going, going, gone: our diminishing Modernist heritage, Mason, Brook; Kaufman, Jason Edward , The Art Newspaper, May, Volume 16, Issue 180, London, p.53, (2007)

Piano quits controversial skyscraper, Bowen, Ted Smalley , Architectural Record, May, Volume 195, Issue 5, p.52, (2007)

Another Building by a Noted Modernist Comes Under Threat, This Time in Boston, Hay, David , New York Times, March 7, p.3, (2007)

A Road Trip Back to the Future, Bernstein, Fred A. , New York Times, March 23, p.1, 10, (2007)

Renzo Piano Leaves Boston Project, Hay, David , New York Times, March 23, p.1, (2007)

Death by Preservation:Paul Rudolph’s Blue Cross and Blue Shield Building, Hart, Jason , Testimony to the Boston Landmarks Commission, March 13, (2007)

Challenging the Curtain Wall: Paul Rudolph's Blue Cross and Blue Shield Building, Rohan, Timothy , The Journal of the Society of Architectural Historians, March, Volume 66, Number 1, p.84-109, (2007) Abstract

Aging Moderns Still Prove Controversial, Bowen, Ted Smalley , Architectural Record, June, Volume 195, Issue 6, p.34, (2007)

Modernism Gets Brutalist Treatment with Many Notable Buildings Under Threat, Edwin Heathcote Bemoans the Drive to Purge the Landscape of Work by an Entire Generation of Architects, Heathcote, Edwin , Financial Times; London, August 11, p.12, (2007)

Saving a Modern Masterpiece, , Boston Globe, April 16, p.10, (2007)

Better Than Modern, , Boston Globe, April 1, p.8, (2007) Abstract

2006

Interview with William Grindereng: Longtime Architectural Associate of Architect Paul Rudolph / Interviewed by Bruce Barnes, Grindereng, William; Barnes, Bruce , June 28, (2006) Abstract

Interview with William Grindereng: Longtime Architectural Associate of Architect Paul Rudolph / Interviewed by Bruce Barnes, Grindereng, William; Barnes, Bruce , June 28, North Dartmouth, MA, (2006) Abstract

2004

"I Wanted Something that Would Last" At 89, an Architect Stands by His Plan for City Hall After Four Decades of Both Condemnation and Praise, Thomas, Jack , Boston Globe, October 13, p.1, 6, (2004) Abstract

There Goes the Neighborhood, Campbell, Robert , Boston Globe, June 27, p.46, (2004)

The Future of the Past, Moholy-Nagy, Sibyl , [Re] Reading Perspecta: The First Fifty Years of the Yale Architectural Journal, Cambridge, MA, p.120-126, (2004) Abstract

[Re] Reading Perspecta: The First Fifty Years of the Yale Architectural Journal, , Cambridge, MA, (2004)

The Persistence of Formal Patterns, Purves, Alexander , [Re] Reading Perspecta: The First Fifty Years of the Yale Architectural Journal, Cambridge, MA, p.444-456, (2004)

2003

Urban Scrawl: Is Boston's Obsession with History Stifling New Architecture, Making it, Dull, and Sometimes Downright Ugly?, Campbell, Robert , Boston Globe Magazine, January 12, p.10-13, 20, (2003)

Houses of Worship: An Identification Guide to the History and Styles of American Religious Architecture, Howe, Jeffery , San Diego, CA, (2003)

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More on Urbanism
“We must develop some kind of consistent theory for relating one building to another and to the environment. The Ecole des Beaux Arts did have such a theory. I’m not proposing that we bring it back, but in the nineteenth century when the Ecole des Beaux Arts was in full swing, they did have a comprehensible theory in regard to the relationship of one building to another—as did earlier periods of architecture. The 1893 Chicago World’s Fair has been damned for a great many years, but it is time we reassessed it. It was a comprehensible whole, not a collection of individual buildings. We may not like the individual buildings, but they read as a group. The spaces between them were well thought-out; some buildings served as anchors and dominated less important ones by their size, placement, proportions and relationship to the ground, the sky and their neighbors.” Rudolph, Paul Marvin, 1918-1997. "The Form of the City." Canadian Architect 4 (March 1959): 49-67.

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