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Filters: keyword is 1978-1983 [Clear All Filters]

2003

Paul Rudolph: The Late Work, De Alba, Roberto , New York, (2003)

The Architect as Urbanist, Bruegmann, Robert , Paul Rudolph: The Late Work, New York, p.16-38, (2003)

1999

The American Institute of Architects Guide to Dallas Architecture: With Regional Highlights, Fuller, Larry Paul , [New York], (1999)

1998

Rudolph and Texas, Gunderson, Mark , Texas Architect, May, Volume 48, Number 3, p.50-52, (1998)

1990

Modern Architecture: Photographs by Ezra Stoller, Saunders, William S.; Stoller, Ezra , New York, (1990)

1985

From Object to Space: An Interview with Paul Rudolph, Schmertz, Mildred F. , Architectural Record, June, Volume 173, Number 7, p.156-161, (1985)

1984

Four Excussions in the Metroplex, Goldberger, Paul , New York Times, August 19, p.15, (1984)

1983

Darth Vader at the O.K. Corral: A Set of Downtown Towers Creates an Identity Crisis for Fort Worth, Dillon, David , Architecture: The AIA Journal, November, Volume 72, Number 11, p.66-67, (1983)

Paul Rudolph, The City Center Fort Worth, Texas Design: 1978-81 Completion: 1983, , Global Architecture Document, August, Volume 7, p.90-99, (1983)

1982

Clustered Columns Play Hide-and-Seek, , Architectural Record, July, Volume 170, Number 9, p.124-127, (1982)

1980

Multi-Use Complex Underway in Downtown Fort Worth, , Texas Architect, May-June, Volume 30, p.19, (1980)

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More on Urbanism
“We must develop some kind of consistent theory for relating one building to another and to the environment. The Ecole des Beaux Arts did have such a theory. I’m not proposing that we bring it back, but in the nineteenth century when the Ecole des Beaux Arts was in full swing, they did have a comprehensible theory in regard to the relationship of one building to another—as did earlier periods of architecture. The 1893 Chicago World’s Fair has been damned for a great many years, but it is time we reassessed it. It was a comprehensible whole, not a collection of individual buildings. We may not like the individual buildings, but they read as a group. The spaces between them were well thought-out; some buildings served as anchors and dominated less important ones by their size, placement, proportions and relationship to the ground, the sky and their neighbors.” Rudolph, Paul Marvin, 1918-1997. "The Form of the City." Canadian Architect 4 (March 1959): 49-67.

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