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2004

An Architect's Last Word, Giovannini, Joseph , New York Times, July 8, New York, p.1, 7, (2004)

2000

Vacation House: Toshiko Mori Designed a Crisp Annex to a Classic Paul Rudolph Estate in Florida, Giovannini, Joseph , Architecture, August, Volume 89, Number 8, p.168-175, (2000)

1998

Rudolph's Pad on the Block, Giovannini, Joseph , Architecture, July, Volume 87, Number 7, p.24, (1998)

1997

Rudolph Remembered, Giovannini, Joseph , Architecture, September, Volume 86, Number 9, p.39, (1997)

If There's Heaven, It Should Expect Changes, Giovannini, Joseph , New York Times, August 14, p.1, 10, (1997)

1993

Paul Rudolph Exhibits in New York City, Giovannini, Joseph , Architecture, December, Volume 82, Number 12, p.22-23, (1993) Abstract

1986

Architecture: Drawings by Rudolph on View, Giovannini, Joseph , New York Times, February 24, p.16, (1986) Abstract

1984

Two Perfectionists Collaborate: Architect and Client, Giovannini, Joseph , New York Times, p.C1, C6, (1984)

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More on Urbanism
“We must develop some kind of consistent theory for relating one building to another and to the environment. The Ecole des Beaux Arts did have such a theory. I’m not proposing that we bring it back, but in the nineteenth century when the Ecole des Beaux Arts was in full swing, they did have a comprehensible theory in regard to the relationship of one building to another—as did earlier periods of architecture. The 1893 Chicago World’s Fair has been damned for a great many years, but it is time we reassessed it. It was a comprehensible whole, not a collection of individual buildings. We may not like the individual buildings, but they read as a group. The spaces between them were well thought-out; some buildings served as anchors and dominated less important ones by their size, placement, proportions and relationship to the ground, the sky and their neighbors.” Rudolph, Paul Marvin, 1918-1997. "The Form of the City." Canadian Architect 4 (March 1959): 49-67.

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